Category: English Classics (Page 2 of 2)

101 Famous Poems

Book cover for 101 Famous Poems, edited by Roy J. Cook
101 Famous Poems

101 Famous Poems, edited by Roy J. Cook. First edition published in 1916.

“Poetry has the power to give us strength, inspiration, and hope, helping us to make meaning from our hectic lives and giving us the opportunity to appreciate new ways of thinking about universal themes and observations.

“Whether you are a newcomer to poetry or a lifelong lover of verse, you will find within the pages of this indispensable compilation the greatest poems of all time, powerful words that have delighted and inspired generations of readers—words that are sure to inspire you today.”


I will be the first to admit that I’m a “newcomer to poetry.” I’ve never disliked poetry, but I’ve also never had much patience with it. I like a terrific story, and that narrative drive is what keeps me reading. As I grow older, however, I’m gaining a greater appreciation for the way poetry can make beautiful language heavenly. The leader of the book club I belong to, on the other hand, loves poetry and has been working to help the rest of us gain a greater appreciation for it. She recommended this book for the group, and I’m glad she did! I started from the beginning, reading a few poems at a time. I’m glad I took this particular approach, because it enabled me to get a much more comprehensive view of a bygone world described by a variety of poets from different time periods. All of these poets are dead, and the world they wrote about is gone—history to us now—but to them the joys and sorrows they wrote about were real.

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The Secret Garden and The House of the Seven Gables

The Secret Garden, by Frances Hodgson Burnett (Children’s classic)

“Born in India, the unattractive and willful Mary Lennox has remained in the care of servants for as long as she can remember. But the girl’s life changes when her mother and father die and she travels to Yorkshire to live with her uncle. Dark, dreary Misselthwaite Manor seems full of mysteries, including a very special garden, locked tight for 10 years. With the help of Dickon, a local boy, Mary intends to uncover its secrets.”

The House of the Seven Gables, by Nathaniel Hawthorne (American classic)

“Built over an unquiet grave, the House of the Seven Gables carries a dying man’s curse that blights the lives of its residents for over two centuries. Now Judge Jaffrey Pyncheon, an iron-hearted hypocrite and intellectual heir to the mansion’s unscrupulous founder, is attempting to railroad a pair of his elderly relatives out of the house. Only two young people stand in his way–a visiting country cousin and an enigmatic boarder skilled in mesmerism.”


As soon as I learned that The Secret Garden would be on my book group‘s schedule for 2015, I thought it would be nice to re-read The House of the Seven Gables also and comment on both novels. On the surface, these books appear quite different, but I knew they were similar in at least one respect—both stories show gardening as being an activity that nourishes both the body and spirit. By the time I was finished reading the books, I realized that they are even more similar than I had remembered; they both address the healing of emotionally diseased individuals and families in old manor houses that symbolically take on the sickly qualities of the families that inhabit them. One of the characters in The House of the Seven Gables describes this relationship between the families and their generational homes:

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Our Mutual Friend

Our Mutual Friend, by Charles Dickens (English classic)

“A body is found in the Thames and identified as that of John Harmon, a young man recently returned to London to receive his inheritance. Were he alive, his father’s will would require him to marry Bella Wilfer, a beautiful, mercenary girl whom he had never met. Instead, the money passes to the working-class Boffins, and the effects spread into various corners of London society.”


Our Mutual Friend details corruption and falsity in those “various corners of London society” to such a degree that a glimpse of Zion didn’t come easily to me as I read it. In this Babylon-like society, the altruistic mingle with the mercenaries, and distinguishing between them isn’t always simple. One thing that Dickens does well in this novel is show how these types exist at all levels of society and that it is possible for a person to change—sometimes for the better and, just as often, for the worse.

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Villette

Villette, by Charlotte Brontë (English classic)

Book cover for Villette, by Charlotte Bronte
Villette

“With neither friends nor family, Lucy Snowe sets sail from England to find employment in a girls’ boarding school in the small town of Villette. There she struggles to retain her self-possession in the face of unruly pupils, an initially suspicious headmaster, and her own complex feelings, first for the school’s English doctor and then for the dictatorial professor, Paul Emmanuel. Charlotte Brontë’s last and most autobiographical novel is a powerfully moving study of isolation and the pain of unrequited love, narrated by a heroine determined to preserve an independent spirit in the face of adverse circumstances.”


I read Villette by Charlotte Brontë for the first time about twenty years ago. During that first reading, I became caught up in the raw emotion and love story of this great work. I thought it was a very stark novel, and I said as much when one of the members of my book group told the rest of us in the autumn of 2014 that she had recently finished reading it. She disagreed with my opinion and declared that it was a happy book. Of course, this disagreement fascinated the other members of the group, and we put it on our list for 2015. I just finished re-reading it and still think it is stark and that it ends in tragedy. Imagine my surprise when I learned that I was the only one out of the five in attendance at our meeting who felt that way. We had a spirited discussion about the matter, and I couldn’t persuade them to my point of view, and they couldn’t persuade me to theirs.

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Daniel Deronda

Book cover for Daniel Deronda, by George Eliot
Daniel Deronda

Daniel Deronda, by George Eliot (English classic)

“Crushed by a loveless marriage to the cruel and arrogant Grandcourt, Gwendolen Harleth seeks salvation in the deeply spiritual and altruistic Daniel Deronda. But Deronda, profoundly affected by the discovery of his Jewish ancestry, is ultimately too committed to his own cultural awakening to save Gwendolen from despair.”


Daniel Deronda is one of several books on My Favorite Clean Fiction that was written to give readers a vision of Zion as a national homeland for the Jews in Palestine. (For others, see the evangelical Christian novels by Bodie and Brock Thoene.) One of the things unique about this particular novel is that George Eliot published it to promote Zionism before the term Zionism even existed. Here is an example of what I mean from the character Mordecai, who becomes Daniel’s mentor:

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Old Mysteries and Romances

One of the problems with old mysteries and romances is that if they’re any good, their plots have been rehashed a zillion times since they were originally published. Out of the five books listed below, I only remember two real surprises, and they were in the same book. Nevertheless, all of these books satisfied my need for a light read and yet possessed a certain sparkle.

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Reading the Classics for Fun

I’ve just uploaded updates for two important files on my web site. The first, “Wholesome Literature—A Realistic Choice,” is a rewrite of the essay previously entitled “Wholesome Literature—the Intelligent Choice” for a general religious audience. The original essay began as a literary spotlight to a group of women in my church almost twenty years ago. Of all my literary essays, it was the one with the most potential for revision to a more general audience. After several attempts over the past decade  to make that revision, I finally produced something that satisfies me!

The second document I updated was “My Favorite Clean Fiction.” I now provide a link for each author who has books in the public domain to his or her list of free ebooks on Project Gutenberg‘s web site. I also simplified my list and added descriptions for almost all of the titles.

As I collected descriptions, I couldn’t help but notice how many of them weren’t written to draw a popular audience, particularly those describing the classics. That seems a shame to me, because so many of the classics really are great stories. If the descriptions were written to capitalize more on the story and less on the meaning, the books might find a wider audience. For example, here’s a boring description of The House of the Seven Gables by Nathaniel Hawthorne:

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What About Doctrinal Differences?

As I begin this quest to capture and share glimpses of Zion from the fiction I read, a few of you may wonder whether you should read some of these books that may promote religious or social ideas you don’t agree with. A few of you may be troubled by the fact that I’m recommending books that don’t agree on many points with the tenets of my own church, which, in the effort of full disclosure, is The Church of Jesus Christ of Latter-day Saints. Some of you may think that I’m glossing over the very real doctrinal differences between religions to present a view of life that has no basis in reality. Some of you may be looking for tools to help you better evaluate the religious content you encounter in your own reading. For all of these reasons, I want to address the issue of doctrinal differences up front and get it out of the way.

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Faust and Adam Bede

Faust, Part 1, by Johann Wolfgang von Goethe (German classic)

“The story concerns the fate of Faust in his quest for the true essence of life. . . . Frustrated with learning and the limits to his knowledge, power, and enjoyment of life, he attracts the attention of the Devil (represented by Mephistopheles), who makes a bet with Faust that he will be able to satisfy him; a notion that Faust is incredibly reluctant towards, as he believes this happy zenith will never come. . . . In the first part, Mephistopheles leads Faust through experiences that culminate in a lustful relationship with Gretchen, an innocent young woman.”

Adam Bede, by George Eliot (English Classic)

“The story of a beautiful country girl’s seduction by the local squire and its bitter, tragic sequel is an old and familiar one which George Eliot invests with peculiar and haunting power.”


Black and white cover for Faust, by Johann Wolfgang von Goethe, with illustrations by Harry Clarke, translated by Bayard Taylor
Faust

I suggested the play Faust for my book group because I had seen so many references to it in other literature and understood it to be one of the greatest pieces of literature written in German. I couldn’t remember reading any German literature with the group, which made it a book that would require us to stretch a little. Actually, it made us stretch a lot. I was the only one who had finished the first part on the evening of the review. (Since I was leading the discussion, I was motivated!) I was only able to get through it by relying heavily on a commentary. Because Faust is a play, a considerable bit of action simply isn’t in the text, and for that reason, I do suggest consulting a commentary if you are reading it for the first time and not taking a class.

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