The Idiot, by Fyodor Dostoevsky (Russian classic)
“. . . a saintly man, Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power and sexual conquest than with the ideals of Christianity. Myshkin soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections.”
Daystar, by Kathy Tyers (Evangelical science fiction)
After fleeing to their sanctuary world for safety with other telepathic Sentinels, members of the Caldwell family must decide whether to accept or reject the claim of a previously unknown family member that he is Boh-Dabar, the prophesied Messiah.
Okay, I know what you’re thinking—that only a person with a very strange brain would talk about a Russian classic and an Evangelical science fiction novel in the same breath. Despite the obvious differences between these two books, they are based on the same premise: What would happen if Jesus Christ came to live among a particular group of people? How would He act? How would people react to Him? What would He require of those people individually and as a community? Continue reading
The Virginian: A Horseman of the Plains, by Owen Wister (American classic)
“Still as exciting and meaningful as when it was written in 1902, Owen Wister’s epic tale of one man’s journey into the untamed territory of Wyoming, where he is caught between his love for a woman and his quest for justice, has exemplified one of the most significant and enduring themes in all of American culture. With remarkable character depth and vivid descriptive passages, The Virginian stands not only as the first great novel of American Western literature, but as a testament to the eternal struggle between good and evil in humanity, and a revealing study of the forces that guide the combatants on both sides.”
This is one of those novels that has everything—cowboy card games, coarseness, and pranks without much in the way of foul language; action, adventure, and a climactic shoot-out without any gore; and romance, passion, and an incredibly intimate honeymoon scene without any mention of sex. One of the most important events in the book, in fact, is a hanging that happens off-stage. By modern literary standards, this story ought to fall apart. As a proponent of wholesome fiction, I am delighted to tell you that it works! And, by the way, don’t scroll to the end of the novel to read that incredibly intimate honeymoon scene to see what I mean, because that won’t work. (Okay, so I know you’re going to do it anyway, but seriously, you’re going to be disappointed!) The way Owen Wister accomplishes the seemingly impossible is by building a complex vision of the protagonist phrase by phrase, scene by scene. A reader needs the context of the entire book to appreciate that final honeymoon scene. Continue reading