Month: March 2016

101 Famous Poems

101 Famous Poems

101 Famous Poems

101 Famous Poems, edited by Roy J. Cook. First edition published in 1916.

“Poetry has the power to give us strength, inspiration, and hope, helping us to make meaning from our hectic lives and giving us the opportunity to appreciate new ways of thinking about universal themes and observations.

“Whether you are a newcomer to poetry or a lifelong lover of verse, you will find within the pages of this indispensable compilation the greatest poems of all time, powerful words that have delighted and inspired generations of readers—words that are sure to inspire you today.”


I will be the first to admit that I’m a “newcomer to poetry.” I’ve never disliked poetry, but I’ve also never had much patience with it. I like a terrific story, and that narrative drive is what keeps me reading. As I grow older, however, I’m gaining a greater appreciation for the way poetry can make beautiful language heavenly. The leader of the book club I belong to, on the other hand, loves poetry and has been working to help the rest of us gain a greater appreciation for it. She recommended this book for the group, and I’m glad she did! I started from the beginning, reading a few poems at a time. I’m glad I took this particular approach, because it enabled me to get a much more comprehensive view of a bygone world described by a variety of poets from different time periods. All of these poets are dead, and the world they wrote about is gone—history to us now—but to them the joys and sorrows they wrote about were real. Continue reading

Kenilworth

Kenilworth

Kenilworth

Kenilworth, by Sir Walter Scott (Scottish classic)

“In the court of Elizabeth I, Robert Dudley, Earl of Leicester, is favoured above all the noblemen of England. It is rumoured that the Queen may chose him for her husband, but Leicester has secretly married the beautiful Amy Robsart. Fearing ruin if this were known, he keeps his lovely young wife a virtual prisoner in an old country house. Meanwhile Leicester’s manservant Varney has sinister designs on Amy, and enlists an alchemist to help him further his evil ambitions. Brilliantly recreating the splendour and pageantry of Elizabethan England, with Shakespeare, Walter Ralegh and Elizabeth herself among its characters, Kenilworth (1821) is a compelling depiction of intrigue, power struggles and superstition in a bygone age.”


The tension between possessing a title of nobility and being noble in mind and heart lies at the center of Kenilworth. From the beginning of the novel, Scott portrays the former suitor of Amy Robsart, the gentleman Tressilian, as possessing nobility of mind and heart. We first meet Tressilian at an inn, where he is seeking information about the whereabouts of Amy on behalf of her father. His features have a “meditative and tranquil cast,” and he is  “dressed with plainness and decency, yet bearing an air of ease which almost amounted to dignity, and which seemed to infer that his habit was rather beneath his rank.” While he is at the inn, the proprietor makes this observation about Tressilian to his nephew Michael Lambourne, who ends up in the employ of the story’s villain, Richard Varney:

But how brave thou be’st, lad! To look on thee now, and compare thee with Master Tressilian here, in his sad-coloured riding-suit, who would not say that thou wert the real gentleman and he the tapster’s boy?”

“Troth, uncle,” replied Lambourne, “no one would say so but one of your country-breeding, that knows no better. I will say, and I care not who hears me, there is something about the real gentry that few men come up to that are not born and bred to the mystery. I wot not where the trick lies; but although I can enter an ordinary with as much audacity, rebuke the waiters and drawers as loudly, drink as deep a health, swear as round an oath, and fling my gold as freely about as any of the jingling spurs and white feathers that are around me, yet, hang me if I can ever catch the true grace of it, though I have practised an hundred times. The man of the house sets me lowest at the board, and carves to me the last; and the drawer says, ‘Coming, friend,’ without any more reverence or regardful addition. But, hang it, let it pass; care killed a cat. I have gentry enough to pass the trick on Tony Fire-the-Faggot, and that will do for the matter in hand.” (Chapter 3)

Lambourne has had enough experience in the world to recognize that  Tressilian is an authentic gentleman and that he is not. Lambourne also knows that while he could never deceive a true gentleman into accepting him as an equal, he can fake it just enough persuade Tony Foster, an old friend of his, to give him a glimpse of the mysterious woman who, according to rumor, is residing at Cumnor Place, the country house Foster manages. Continue reading

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