Remake, by Todd, Ilima (YA science fiction)
“A World Where Freedom Isn’t a Choice
“Nine is the ninth female born in her batch of ten females and ten males. By design, her life in Freedom Province is without complications or consequences. However, such freedom comes with a price. the Prime Maker is determined to keep that price a secret from the new batches of citizens that are born, nurtured, and raised androgynously.
“But Nine isn’t like every other batcher. She harbors indecision and worries about her upcoming Remake Day—her seventeenth birthday, the age when batchers fly to the Remake facility and have the freedom to choose who and what they’ll be.
“When Nine discovers the truth about life outside of Freedom Province, including the secret plan of the Prime Maker, she is pulled between two worlds and two lives. Her decisions will test her courage, her heart, and her beliefs. Who can she trust? Who does she love? And most importantly, who will she decide to be?”
The description of the novel Remake surprised me when I read it in the Deseret Book catalogue in the fall of 2014. This book, a dystopia that Deseret Book published under its Shadow Mountain imprint, was quite a bit different from anything I had ever seen the company publish before—in a good way. I like dystopia and was so intrigued by the fact that Deseret Book would publish something like Remake that I downloaded the book and read it on a trip to the beach at the end of 2014. Continue reading
Fathers and Sons, trans. by C. Garnett
Fathers and Sons, by Ivan Turgenev (Russian classic)
“At the novel’s center stands Evgeny Bazarov, medical student, doctor’s son, and self-proclaimed nihilist. Bazarov rejects all authority, all so-called truths that are based on faith rather than science and experience. His ideas bring him into conflict with his best friend, recent graduate Arkady Kirsanov, with Arkady’s family, with his own parents, and eventually with his emotions, when he falls helplessly in love with the beautiful Madame Odintsova.”
In Fathers and Sons, Turgenev writes about a society undergoing profound changes, one much like ours. For that reason, the novel feels very modern and pertinent to me. Like nineteenth-century Russia, we too have members of the older generation declaring that their ways are correct, and we have members of the younger generation trying to destroy the old institutions, and we have those of both generations working to reform the old institutions, and we have members of both generations who, in accepting or rejecting particular ideals, invite the scorn of others. In all of this conflict, much—if not most—of what is published is meant to support one point of view and undermine all others.
One of the most interesting things about Fathers and Sons is that it doesn’t support the older generation and undermine the younger or vice versa. It shows the nobility and the foolishness of both and, more importantly, acknowledges a source of truth and happiness that transcends the prejudices and concerns of all generations of mortals. As Arkady’s father ponders the differences between the generations, he demonstrates that he is more concerned about acting in accordance with the ultimate source of truth than he is about gratifying his pride and being “right”: