The Dark Trench Saga, by Kerry Nietz (Evangelical science fiction)
A Star Curiously Singing
“Sandfly is a debugger. He is property, bought and paid for in an Earth under sharia law. All faiths but one have been banned. And the rule of the great Imam is supreme.
“As a debugger, Sandfly has an implant in his head that connects him to the world’s technology—and doles out mental shocks to keep him obedient. All he wants is to fix bots and avoid shocks.
“Now he’s been called into Earth orbit. The masters have a new spacecraft—one capable of interstellar flight. On its maiden voyage, the only robot on board went mad and tore itself apart.
“Why? Better question: does it pose any risk to humans?
“When Sandfly reviews the bot’s final moments, he perceives something unexpected. Something impossible.
“As Sandfly pieces together the clues, a trap spreads beneath his feet. If he solves the mystery, he may doom himself. And if he fixes the robot, he may shatter his world.
“Suspenseful, unique, and awash in cyberpunk jive, A Star Curiously Singing presents a bleak future that might be closer than we think.”
The Dark Trench Saga is Evangelical science fiction at its best—the setting is unique and well-executed, and the faith-based aspect of the story is perceptive and complex enough to inspire thought. Nietz brilliantly uses a continuous digital “stream” of information as a symbol for the knowledge of God that flows to humanity from Heaven. This “superlative stream” provides a flow of light and truth to those who are spiritually prepared to receive it—sanctifying power that “reprograms” the person’s mind and heart. Continue reading
For Democracy in America, Volume 1 (Part 1: Introduction), please click here.
For Democracy in America, Volume 1 (Part 2: The Power of Democracy), please click here.
Part 3: Babylon or Zion?
In the Introduction of Democracy in America, Volume 1, Alexis De Tocqueville declares that the democratic revolution of the world “possesses all the characteristics” of being “the will of God”:
Statue of Liberty
In perusing the pages of our history, we shall scarcely meet with a single great event, in the lapse of seven hundred years, which has not turned to the advantage of equality. . . .
Whithersoever we turn our eyes we shall witness the same continual revolution throughout the whole of Christendom. . . .
The gradual development of the equality of conditions is therefore a providential fact, and it possesses all the characteristics of a divine decree: it is universal, it is durable, it constantly eludes all human interference, and all events as well as all men contribute to its progress. . . .
If the men of our time were led by attentive observation and by sincere reflection to acknowledge that the gradual and progressive development of social equality is at once the past and future of their history, this solitary truth would confer the sacred character of a Divine decree upon the change. To attempt to check democracy would be in that case to resist the will of God; and the nations would then be constrained to make the best of the social lot awarded to them by Providence.
Tocqueville doesn’t speculate on why this democratic revolution of the world is the “will of God.” I, on the other hand, will attempt to give an explanation. In the Bible, we learn that there will come a time when: Continue reading
Democracy in America Vol. 1
Democracy in America Vol. I
When Tocqueville visited America in the 1830s he found a thriving democracy of a kind he had not seen anywhere else. Many of his insightful observations American society and political system, found in the two volume book he published after his visit, still remain surprisingly relevant today. (Summary by the Bookworm)
Genre(s): *Non-fiction, History , Philosophy
For Democracy in America, Volume 1 (Part 1: Introduction), please click here.
Part 2: The Power of Democracy
One of the key points that Alexis de Tocqueville makes in Democracy in America, Volume 1 is that democracy is a form of government that is extremely powerful: Continue reading
Democracy in America, trans. H. Reeve
Democracy in America, Volume 1, by Alexis de Toqueville, (French classic, American classic)
“From America’s call for a free press to its embrace of the capitalist system, Democracy in America—first published in 1835—enlightens, entertains, and endures as a brilliant study of our national government and character. Philosopher John Stuart Mill called it ‘among the most remarkable productions of our time.’ Woodrow Wilson wrote that de Tocqueville’s ability to illuminate the actual workings of American democracy was ‘possibly without rival.’
“For today’s readers, de Tocqueville’s concern about the effect of majority rule on the rights of individuals remains deeply meaningful. His shrewd observations about the ‘almost royal prerogatives’ of the president and the need for virtue in elected officials are particularly prophetic. His profound insights into the great rewards and responsibilities of democratic government are words every American needs to read, contemplate, and remember.
“From America’s call for a free press to its embrace of the capitalist system Democracy in America enlightens, entertains, and endures as a brilliant study of our national government and character. De Toqueville’s concern about the effect of majority rule on the rights of individuals remains deeply meaningful. His insights into the great rewards and responsibilities of democratic government are words every American needs to read, contemplate, and remember.”
Part 1: Introduction
Democracy in America is a classic that many Americans know about but few have actually read. I’m a member of a book group that exists to read this kind of material, and it took us ten years to finally be willing to take it on. The book’s length is formidable, and it’s written with such depth of observation that it requires time and thought to get through. Four members of the group made the effort to read Democracy in America. One finished the first volume and got part of the way through the second. The rest of us read the majority of the first volume with the intention of finishing it. All four of us were amazed and excited about the truth regarding America that we discerned in this book. All four of us gained a greater understanding of the origins of the United States, the things that make it great, and the underlying reasons for some of its current problems. All four of us want to put the second volume of Democracy in America on our list for next year. Continue reading
Young Pioneers, a.k.a. Let the Hurricane Roar, by Rose Wilder Lane (YA historical)
“Newlyweds Molly and David are only sixteen and eighteen years old when they pack up their wagon and head west across the plains in search of a new homestead. At first their new life is full of promise: The wheat is high, the dugout is warm and cozy, and a new baby is born to share in their happiness. Then disaster strikes, and David must go east for the winter to find work. Molly is left alone with the baby—with nothing but her own courage to face the dangers of the harsh prairie winter.”
After a recent read of O Pioneers! by Willa Cather, I decided to try another book about pioneers in the Midwest—Dakota Territory—entitled Young Pioneers, by Rose Wilder Lane. Both books celebrate the pioneering spirit and are frank about the fact that circumstances were often so difficult that many pioneers gave up their dreams and returned to their families and previous occupations in the east. What struck me in particular about Young Pioneers was the passion and hope this very young couple feel about their life together in this rough and beautiful farmland despite the fact that they live in a dugout, in very primitive conditions. I’ve often wondered what drove so many to leave their comfortable or at least tolerable lives for circumstances so savage. Continue reading
The Devil’s Disciple, by George Bernard Shaw (Irish classic, play)
“Set in Colonial America during the Revolutionary era, the play tells the story of Richard Dudgeon, a local outcast and self-proclaimed ‘Devil’s disciple’. In a twist characteristic of Shaw’s love of paradox, Dudgeon sacrifices himself in a Christ-like gesture despite his professed Infernal allegiance.”
The above description sounds serious, but the play itself is quite satirical. While Dudgeon is certainly a Christ figure, he is an unlikely and irreverent one, although he fills this role in a way I don’t find offensive. I love satire, however, so if you don’t, you might come away from this play with a different opinion. The mix-up of identities that leads to Dudgeon going to the gallows will inevitably remind readers of the switch that occurs between Charles Darnay and Sydney Carton in A Tale of Two Cities, by Charles Dickens. One of the primary differences between Carton and Dudgeon, however, is that Carton acts on feelings of sincere love, and Dudgeon sets out to sacrifice himself for entirely different reasons: Continue reading
The Virginian: A Horseman of the Plains, by Owen Wister (American classic)
“Still as exciting and meaningful as when it was written in 1902, Owen Wister’s epic tale of one man’s journey into the untamed territory of Wyoming, where he is caught between his love for a woman and his quest for justice, has exemplified one of the most significant and enduring themes in all of American culture. With remarkable character depth and vivid descriptive passages, The Virginian stands not only as the first great novel of American Western literature, but as a testament to the eternal struggle between good and evil in humanity, and a revealing study of the forces that guide the combatants on both sides.”
This is one of those novels that has everything—cowboy card games, coarseness, and pranks without much in the way of foul language; action, adventure, and a climactic shoot-out without any gore; and romance, passion, and an incredibly intimate honeymoon scene without any mention of sex. One of the most important events in the book, in fact, is a hanging that happens off-stage. By modern literary standards, this story ought to fall apart. As a proponent of wholesome fiction, I am delighted to tell you that it works! And, by the way, don’t scroll to the end of the novel to read that incredibly intimate honeymoon scene to see what I mean, because that won’t work. (Okay, so I know you’re going to do it anyway, but seriously, you’re going to be disappointed!) The way Owen Wister accomplishes the seemingly impossible is by building a complex vision of the protagonist phrase by phrase, scene by scene. A reader needs the context of the entire book to appreciate that final honeymoon scene. Continue reading