Tag: Zion (page 1 of 3)

Fall to Eden is Now in Print!

Fall to Eden

Fall to Eden

Back in 2003 I launched Novaun Novels with the electronic publication of my fifth novel, Fall to Eden: An Apocalyptic FantasySince I didn’t have a cover for the ebook at that time, I selected the above photo from NASA to represent it on the website. Now, at long last, Fall to Eden is available in print and for direct download to your dedicated reading device or app. Continue reading

Heirs of Novaun is Now in Print!

I’m pleased to announce that The Double-Edged Choice, Twin Witness to Betrayal, Travail of a Traitor, and Bond With a Terrorist, and are now available in print! They are also available in new, professionally-designed ebooks at many major retailers for a very low price. Fall to Eden will be available in the new formats this summer. Continue reading

The Mill on the Floss

The Mill on the Floss

The Mill on the Floss

The Mill on the Floss, by George Eliot (English classic)

“Brought up at Dorlcote Mill, Maggie Tulliver worships her brother Tom and is desperate to win the approval of her parents, but her passionate, wayward nature and her fierce intelligence bring her into constant conflict with her family. As she reaches adulthood, the clash between their expectations and her desires is painfully played out as she finds herself torn between her relationships with three very different men: her proud and stubborn brother; hunchbacked Tom Wakem, the son of her family’s worst enemy; and the charismatic but dangerous Stephen Guest.”


The Mill on the Floss used to be on my list of George Eliot novels not to read. I watched a movie version of the story years ago and thought that the ending was so random and awful that there was no way I was going to read that book! In the years that have passed, however, I’ve read and loved several novels by George Eliot and come to trust her as an author. I decided I was ready to give The Mill on the Floss a try. Continue reading

Democracy in America, Volume 1 (Part 3)

For Democracy in America, Volume 1 (Part 1: Introduction), please click here.

For Democracy in America, Volume 1 (Part 2: The Power of Democracy), please click here.

Part 3: Babylon or Zion?

In the Introduction of Democracy in America, Volume 1, Alexis De Tocqueville  declares that the democratic revolution of the world “possesses all the characteristics” of being “the will of God”:

Statue of Liberty

Statue of Liberty

In perusing the pages of our history, we shall scarcely meet with a single great event, in the lapse of seven hundred years, which has not turned to the advantage of equality. . . .

Whithersoever we turn our eyes we shall witness the same continual revolution throughout the whole of Christendom. . . .

The gradual development of the equality of conditions is therefore a providential fact, and it possesses all the characteristics of a divine decree: it is universal, it is durable, it constantly eludes all human interference, and all events as well as all men contribute to its progress. . . .

If the men of our time were led by attentive observation and by sincere reflection to acknowledge that the gradual and progressive development of social equality is at once the past and future of their history, this solitary truth would confer the sacred character of a Divine decree upon the change. To attempt to check democracy would be in that case to resist the will of God; and the nations would then be constrained to make the best of the social lot awarded to them by Providence.

Tocqueville doesn’t speculate on why this democratic revolution of the world is the “will of God.” I, on the other hand, will attempt to give an explanation. In the Bible, we learn that there will come a time when: Continue reading

Shirley

Shirley

Shirley

Shirley, by Charlotte Brontë (English classic)

“Written at a time of social unrest, [Shirley] is set during the period of the Napoleonic Wars, when economic hardship led to riots in the woollen district of Yorkshire. A mill-owner, Robert Moore, is determined to introduce new machinery despite fierce opposition from his workers; he ignores their suffering, and puts his own life at risk. Robert sees marriage to the wealthy Shirley Keeldar as the solution to his difficulties, but he loves his cousin Caroline. She suffers misery and frustration, and Shirley has her own ideas about the man she will choose to marry.”


I really wanted to like this book and began it with that intention, and by the time I finished it, I did like it—I just didn’t love it. I think the reason was because it never completely captivated me. Brontë begins the novel by describing many minor characters in detail, and I had difficulty understanding which characters the story would follow, which made it all seem rather pointless to me in the beginning. As the novel and its underlying themes unfold, it does become just as much about a community of people as it does the lead characters, which gives at least some purpose for the detailed descriptions of the secondary characters. Structurally, this novel begins with a community in turmoil and ends as that community begins to come out of the turmoil. This struggle is mirrored on an individual level with several of the characters, in particular Caroline Helstone and Robert Moore. This observation from Chapter 20 puts into words what I believe is the overall theme of the novel: Continue reading

The Jewish Odyssey of George Eliot

The Jewish Odyssey of George Eliot

The Jewish Odyssey of George Eliot

The Jewish Odyssey of George Eliot, by Gertrude Himmelfarb (biography)

“It is one of the curiosities of history that the most remarkable novel about Jews and Judaism, predicting the establishment of the Jewish state, should have been written in 1876 by a non-Jew—a Victorian woman and a formidable intellectual, who is generally regarded as one of the greatest of English novelists. And it is still more curious that Daniel Deronda, George Eliot’s last novel, should have been dismissed, by many of her admirers at the time and by some critics since, as something of an anomaly, an inexplicable and unfortunate turn in her life and work. . . .

“Why did this Victorian novelist, born a Christian and an early convert to agnosticism, write a book so respectful of Judaism and so prescient about Zionism? And why at a time when there were no pogroms or persecutions to provoke her? What was the general conception of the “Jewish question,” and how did Eliot reinterpret that “question,” for her time as well as ours?”


I learned about this book last year after I re-read Daniel Deronda and was preparing to write a blog post about it, available here. George Eliot’s prescience about Zionism fascinates me, and I was eager to learn more about her path to writing a novel that is as unusual as it is powerful. Himmelfarb does a superb job giving historical context to George Eliot’s work and showing how “her vision of Judaism and a Jewish state was all the more remarkable precisely because it was disinterested, because, unlike Deronda . . . , she was not Jewish and had no personal stake in it. It was still more remarkable because she came to it from a large philosophical perspective and from an intimate knowledge of the most sophisticated critics of Judaism. She knew everything her opponents (and some of her friends) might say in refutation of her views, having once shared some of them. Her conversion, not to Judaism but to a respect for religion in general and Judaism in particular, was all the more notable because it involved a repudiation of some of the most powerful ideologies of her time: the belligerent irreligion and anti-Judaism of the Young Hegelians, the attenuated, syncretistic religion of the Positivists, and the secular humanism of enlightened, ‘advanced’ liberals.” (The Jewish Odyssey of George Eliot, Epilogue)

The Jewish Odyssey of George Eliot helped me appreciate Daniel Deronda even more than I already did, and I thought it was a work of genius before I read Himmelfarb’s book. I believe that Eliot’s vision transcends the Jewish drive to unite and establish a national homeland in Palestine because it explores the spiritual bonds of family and heritage in a way that has universal application. Deronda’s story certainly resonates with me, a Mormon woman who, by Himmelfarb’s definition, is as “disinterested” in Judaism as George Eliot was. Himmelfarb explores the reasons George Eliot wrote Daniel Deronda from a historical and biographical perspective. I would like to make an observation on how George Eliot was able to write a book with with such an expansive vision of Zion from a spiritual perspective. Continue reading

Ingathering

Ingathering

Ingathering

Ingathering; The Complete People Stories, by Zenna Henderson (science fiction)

“Zenna Henderson is best remembered for her stories of the People which appeared in The Magazine of Fantasy and Science Fiction from the early 50s to the middle 70s. The People escaped the destruction of their home planet and crashed on Earth in the Southwest just before the turn of the century. Fully human in appearance, they possessed many extraordinary powers. Henderson’s People stories tell of their struggles to fit in and to live their lives as ordinary people, unmolested by fearful and ignorant neighbors. The People are ‘us at our best, as we hope to be, and where (with work and with luck) we may be in some future.'”


I wish I had read the People stories by Zenna Henderson when I was a teenager. I would have loved them! As an adult, I appreciate these stories and like them. A glimpse of Zion came easily to me as I read Ingathering, because the People and their community embody the idea and qualities of Zion. Some of the religious themes in this book are subtle, but many are so obvious that I question whether stories like these by another author could be published as genre science fiction today. Many readers of classic science fiction already love these stories, and I believe they would be accessible to readers of religious fiction who don’t normally read science fiction and fantasy. Continue reading

The Return of the King

The Return of the King, by J.R.R. Tolkien (fantasy)

“The Companions of the Ring have become involved in separate adventures as the quest continues. Aragorn, revealed as the hidden heir of the ancient Kings of the West, joined with the Riders of Rohan against the forces of Isengard, and took part in the desperate victory of the Hornburg. Merry and Pippin, captured by Orcs, escaped into Fangorn Forest and there encountered the Ents. Gandalf returned, miraculously, and defeated the evil wizard, Saruman.

“Meanwhile, Sam and Frodo progressed towards Mordor to destroy the Ring, accompanied by Smeagol—Gollum, still obsessed by his ‘precious’. After a battle with the giant spider, Shelob, Sam left his master for dead; but Frodo is still alive—in the hands of the Orcs. And all the time the armies of the Dark Lord are massing.”


As the armies of the Dark Lord amass, Denethor, the Lord and Steward of Minas Tirith, works to prepare his people for battle. In the first chapter of this volume, one of the soldiers of Gondor says this about Denethor and his captains: Continue reading

Mirrors of George MacDonald

When we gaze into our own “fairyland of the soul,” what do we see? Do those lovely scenes reflect the glamour of the world or the glory of Zion? The illusions of Satan or the visions of God? Continue reading

Classic Culture

Your Refined Heavenly Home,” by Douglas L. Callister (Devotional speech at Brigham Young University, September 19, 2006)

I don’t expect to comment often on speeches, but I feel compelled to write about this one since it so eloquently addresses the culture of heaven and gives ideas for how we can bring that more into our lives, a critical topic if we are serious about becoming a Zion people. This speech was given by a leader of my church to students attending the Church-owned Brigham Young University. He introduces his topic with these words:

The nearer we get to God, the more easily our spirits are touched by refined and beautiful things. If we could part the veil and observe our heavenly home, we would be impressed with the cultivated minds and hearts of those who so happily live there. I imagine that our heavenly parents are exquisitely refined. In this great gospel of emulation, one of the purposes of our earthly probation is to become like them in every conceivable way so that we may be comfortable in the presence of heavenly parentage and, in the language of Enos, see their faces “with pleasure.” . . .

Today I would like to peek behind the veil that temporarily separates us from our heavenly home and paint a word picture of the virtuous, lovely, and refined circumstances that exist there. I will speak of the language, literature, music, and art of heaven, as well as the immaculate appearance of heavenly beings, for I believe that in heaven we will find each of these in pure and perfected form.

He goes on to encourage the students to pursue the best literature, music, and art the world has to offer.

H. Grimaud plays Rachmaninov

H. Grimaud plays Rachmaninov

I’ll have to say, if I had heard this speech when I was in college, I would have received it with mixed feelings. On one hand, I had been taught a bit of art history in high school and had enjoyed looking at the slides of classic art. On the other hand, my high school art teacher liked to listen to classical violin music, which sounded like screeching to me. I took a humanities class my first semester in college and failed the opera unit. I hated the highly-trained voices so much that I had trouble concentrating on the music. Instead of focusing on the melodies, I memorized the peculiarities of the voices. Imagine my dismay when the professor played instrumental versions for the test! Despite my distaste for opera at that time, I heard Rachmaninov’s Piano Concerto No. 2 for the first time in that class and loved it, which gave me the motivation to seek out more classical music.

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