“ARRANGED centers on the friendship between an Orthodox Jewish woman and a Muslim woman who meet as first-year teachers at a public school in Brooklyn. Over the course of the year they learn they share much in common—not least of which is that they are both going through the process of arranged marriages.”
I watched this film for the first time about a year ago and liked it so much that I recently watched it again. Because it’s such an unusual, obscure film that helped me envision Zion, I thought I’d comment on it. Nasira and Rochel were more familiar than foreign to me for a couple of reasons. I live in a suburb of Washington, D.C. that is as religiously, philosophically, and ethnically diverse as the area depicted in the film. The friendship between Rochel and Nasira could have taken place in my community. The challenges they faced could have happened here too, and while I can’t imagine a principal at one of my children’s schools challenging devout women in the vigorous way the one in the film did Nasira and Rochel, the principal’s mindset is prevalent in my community and contributes to a culture that can be hostile to religious ideas and practices that aren’t politically correct.
“Set in Colonial America during the Revolutionary era, the play tells the story of Richard Dudgeon, a local outcast and self-proclaimed ‘Devil’s disciple’. In a twist characteristic of Shaw’s love of paradox, Dudgeon sacrifices himself in a Christ-like gesture despite his professed Infernal allegiance.”
The above description sounds serious, but the play itself is quite satirical. While Dudgeon is certainly a Christ figure, he is an unlikely and irreverent one, although he fills this role in a way I don’t find offensive. I love satire, however, so if you don’t, you might come away from this play with a different opinion. The mix-up of identities that leads to Dudgeon going to the gallows will inevitably remind readers of the switch that occurs between Charles Darnay and Sydney Carton in A Tale of Two Cities, by Charles Dickens. One of the primary differences between Carton and Dudgeon, however, is that Carton acts on feelings of sincere love, and Dudgeon sets out to sacrifice himself for entirely different reasons:
“The story concerns the fate of Faust in his quest for the true essence of life. . . . Frustrated with learning and the limits to his knowledge, power, and enjoyment of life, he attracts the attention of the Devil (represented by Mephistopheles), who makes a bet with Faust that he will be able to satisfy him; a notion that Faust is incredibly reluctant towards, as he believes this happy zenith will never come. . . . In the first part, Mephistopheles leads Faust through experiences that culminate in a lustful relationship with Gretchen, an innocent young woman.”
“The story of a beautiful country girl’s seduction by the local squire and its bitter, tragic sequel is an old and familiar one which George Eliot invests with peculiar and haunting power.”
I suggested the play Faust for my book group because I had seen so many references to it in other literature and understood it to be one of the greatest pieces of literature written in German. I couldn’t remember reading any German literature with the group, which made it a book that would require us to stretch a little. Actually, it made us stretch a lot. I was the only one who had finished the first part on the evening of the review. (Since I was leading the discussion, I was motivated!) I was only able to get through it by relying heavily on a commentary. Because Faust is a play, a considerable bit of action simply isn’t in the text, and for that reason, I do suggest consulting a commentary if you are reading it for the first time and not taking a class.
“The Men of the Mark do not lie, and therefore they are not easily deceived” (J.R.R. Tolkien, The Two Towers).
“God has just such gladness every time he sees from heaven that a sinner is praying to Him with all his heart, as a mother has when she sees the first smile on her baby’s face” (Fyodor Dostoevsky, The Idiot).
“God’s love and mercy can overcome all things—our ignorance, and weakness, and all the burden of our past wickedness—all things but our wilful sin, sin that we cling to, and will not give up” (George Eliot, Adam Bede).
“Unlimited power is in itself a bad and dangerous thing; human beings are not competent to exercise it with discretion, and God alone can be omnipotent, because His wisdom and His justice are always equal to His power” (Alexis de Tocqueville, Democracy in America).
“I decided that God, a kind and loving God, could never be proved. In fact there are . . . a lot of arguments against him. But there isn’t any point to life without him. Without him we’re just a skin disease on the face of the earth, and I feel too strongly about the human spirit to be able to settle for that. So what I did for a long time was to live life as though I believed in God. And eventually I found out that the as though had turned into a reality” (Madeleine L’Engle, The Moon by Night).
About the Author
Creator of spaced-out Christian fiction and clean-reading resources. See my BIO.