Tag: fiction (Page 3 of 7)

The Song of the Lark

The Song of the Lark, by Willa Cather (American classic)

“In this powerful portrait of the self-making of an artist, Willa Cather created one of her most extraordinary heroines. Thea Kronberg, a minister’s daughter in a provincial Colorado town, seems destined from childhood for a place in the wider world. But as her path to the world stage leads her ever farther from the humble town she can’t forget and from the man she can’t afford to love, Thea learns that her exceptional musical talent and fierce ambition are not enough.”


I’ll confess that I was surprised when I read this book and found that one-third of it chronicles Thea’s childhood. I expected it to be more about her professional life and, by the time I finished the book, was glad it wasn’t. I thought that the life she led as an opera singer was dreary and that many of the people connected to her at that stage of life were shallow. I found satisfaction, however, in the fact that Thea, herself, recognizes that the professional world she lives in runs on false values. I loved her assessment of it in this conversation she has with a friend of her youth:

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Flatland: A Romance of Many Dimensions

Flatland: A Romance of Many Dimensions, by Edwin A. Abbott (English classic)

“Narrated by A. Square, Flatland is Edwin A. Abbott’s delightful mathematical fantasy about life in a two-dimensional world. All existence is limited to length and breadth in Flatland, its inhabitants unable even to imagine a third dimension. Abbott’s amiable narrator provides an overview of this fantastic world-its physics and metaphysics, its history, customs, and religious beliefs. But when a strange visitor mysteriously appears and transports the incredulous Flatlander to the Land of Three Dimensions, his worldview is forever shattered.”


We read this clever little novella in my book group. I was initially intrigued by the premise, but I’ll confess that I didn’t care for it at first. What sounded like a science fiction story appeared to really be a math puzzle. I like science fiction, but my brain rebels against math puzzles. As I continued to read, however, I realized that it was both science fiction and a math puzzle and, to my astonishment, religious fiction. I shouldn’t have been surprised, however, because the title page of the Project Gutenberg edition I read identifies Edwin A. Abbott as an English scholar, theologian, and writer.

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That Hideous Strength

That Hideous Strength, by C.S. Lewis

“The third novel in the science-fiction trilogy by C.S. Lewis. This final story is set on Earth, and tells of a terrifying conspiracy against humanity. The story surrounds Mark and Jane Studdock, a newly married couple. Mark is a Sociologist who is enticed to join an organisation called N.I.C.E. which aims to control all human life. His wife, meanwhile, has bizarre prophetic dreams about a decapitated scientist, Alcasan.”


Of the three novels in the Space Trilogy, I think That Hideous Strength has the most compelling plot and the more interesting themes. I especially like the way Lewis dramatizes the scriptural comparison between sin and sleep:

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Perelandra

Perelandra, by C.S. Lewis

“The second novel in Lewis’s science fiction trilogy tells of Dr Ransom’s voyage to the planet of Perelandra (Venus). Dr Ransom is sent by the Elida to Perelandra (Venus) to battle against evil incarnate and preserve a second Eden from the evil forces present in the possessed body of his enemy, Weston.”


Book cover for Perelandra, by C.S. Lewis
Perelandra

In this novel, Dr. Ransom’s “battle against evil incarnate” is both philosophical and physical. The philosophical struggle adds meaning to the physical conflict and raises the stakes. Because the stakes are so high, the resolution of the story arc between Ransom and Weston satisfied me more that it would have had it come at the end of Out of the Silent Planet. Dr. Ransom’s battle is also fantastical, so much so that I wasn’t disturbed by the fact that the novel contains, at its core, a view of the “fall of man” that is very different from my own. Reading this book, in fact, inspired me to ponder these matters in a way that I hadn’t in a while. I particularly like this conversation between Ransom and Tinidril from chapter 9:

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Out of the Silent Planet

Out of the Silent Planet, by C.S. Lewis (science fiction)

Book cover for Out of the Silent Planet, by C.S. Lewis
Out of the Silent Planet

“In the first novel of C.S. Lewis’s classic science fiction trilogy, Dr Ransom, a Cambridge academic, is abducted and taken on a spaceship to the red planet of Malacandra, which he knows as Mars. His captors are plotting to plunder the planet’s treasures and plan to offer Ransom as a sacrifice to the creatures who live there. Ransom discovers he has come from the ‘silent planet’–Earth–whose tragic story is known throughout the universe…”


I read this book a couple of years ago and came away from it with an “eh” feeling. After my recent reading of Perelandra, the second book in the Space Trilogy, I went back and re-read much of Out of the Silent Planet, and my experience was much more satisfying. My problem the first time around was that the adventure started strong and then seemed to fizzle out in the end. What I failed to understand during that reading was that the true villain in the stories of C.S. Lewis is never completely the antagonist; it is the fallen nature of the protagonist. God always exists, is always a major player in the outcome of the story struggle, and will always win. I believe that this quality, more than anything else, is what makes the Space Trilogy radically different from standard science fiction, defines it as Christian science fiction, and marks it as a standard for modern faith-based science fiction, including my own. The question of a C.S. Lewis story is how it will end—which is generally quite unique and creative—and whether the protagonist will end his or her struggle on God’s team.

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Lady in Waiting

Book cover of Lady in Waiting, by Rosemary Sutcliff
Lady in Waiting

Lady in Waiting, by Rosemary Sutcliff (historical)

“Handsome and gifted, Walter Ralegh was a star even in a court of brilliant men ruled by one of the greatest monarchs of all time, Elizabeth I.

“Ralegh held position and power, and was loved by the Queen, but his dream was to conquer new lands for Elizabeth, to find El Dorado.

“Bess Throckmorton was one of the Queen’s Maids of Honour.

“Shy and retiring, her dream was to capture the heart of the proud and restless Ralegh, in whose life it seemed she would always come second.

“But when Elizabeth dies and James I comes to power, Ralegh’s fortunes take a dramatic turn . . .

“Once a beloved courtier, he becomes a disgraced prisoner.

“And his dreams of reaching El Dorado seem to be forever out of reach. “


I began reading this book in August, when I was preparing to go to the Outer Banks in North Carolina with my family. No trip to the Outer Banks is ever complete for me until I make a visit to Roanoke Island, the site of the first English colony in America, which was organized by  Sir Walter Ralegh. Reading a novel about his wife Bess Throckmorton seemed fitting.

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The Dark Trench Saga

The Dark Trench Saga, by Kerry Nietz (Christian fiction, Evangelical)

Book cover for A Star Curiously , by Kerry Nietz
A Star Curiously Singing

“Sandfly is a debugger. He is property, bought and paid for in an Earth under sharia law. All faiths but one have been banned. And the rule of the great Imam is supreme.

“As a debugger, Sandfly has an implant in his head that connects him to the world’s technology—and doles out mental shocks to keep him obedient. All he wants is to fix bots and avoid shocks.

“Now he’s been called into Earth orbit. The masters have a new spacecraft—one capable of interstellar flight. On its maiden voyage, the only robot on board went mad and tore itself apart.

“Why? Better question: does it pose any risk to humans?

“When Sandfly reviews the bot’s final moments, he perceives something unexpected. Something impossible.

“As Sandfly pieces together the clues, a trap spreads beneath his feet. If he solves the mystery, he may doom himself. And if he fixes the robot, he may shatter his world.

“Suspenseful, unique, and awash in cyberpunk jive, A Star Curiously Singing presents a bleak future that might be closer than we think.”


The Dark Trench Saga is Christian science fiction at its best—the setting is unique and well-executed, and the faith-based aspect of the story is perceptive and complex enough to inspire thought. Nietz brilliantly uses a continuous digital “stream” of information as a symbol for the knowledge of God that flows to humanity from Heaven. This “superlative stream” provides a flow of light and truth to those who are spiritually prepared to receive it—sanctifying power that “reprograms” the person’s mind and heart.

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Till We Have Faces

Book cover of Till We Have Faces, by C.S. Lewis
Till We Have Faces

Till We Have Faces: A Myth Retold, by C.S. Lewis (fantasy)

“Haunted by the myth of Cupid and Psyche throughout his life, C.S. Lewis wrote this, his last, extraordinary novel, to retell their story through the gaze of Psyche’s sister, Orual. Disfigured and embittered, Orual loves her younger sister to a fault and suffers deeply when she is sent away to Cupid, the God of the Mountain. Psyche is forbidden to look upon the god’s face, but is persuaded by her sister to do so; she is banished for her betrayal. Orual is left alone to grow in power but never in love, to wonder at the silence of the gods. Only at the end of her life, in visions of her lost beloved sister, will she hear an answer.”


After Psyche is banished, Orual returns to her people and determines to “go always veiled.” She does this to hide her face from her people, herself, and from the gods. She also veils herself—although it’s not clear she realizes it—to mimic what she sees as the silent and inapproachable nature of the gods. As time passes, she realizes the power that the veil gives her:

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