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Fireweed

Fireweed, by Terry Montague (Christian fiction, Latter-day Saint)

When sixteen-year-old Lisel Spann sees her brother off to fight in the coming war against what she and her German compatriots have been told is Polish aggression, she “is hardly prepared for the coming years when the storm erupts in full fury. She fights feeling of hopelessness as she watches the Nazis tear her loved ones from her life. Before her eyes her beautiful city is turned to rubble under the allied bombs.” With the help of her family and neighbors, she struggles to survive and hold on to her faith.


If Feathers and Rings is the Latter-day Saint novel I keep going back to, Fireweed is the one that has stuck with me the most. For that reason, when I recently saw it on the shelf of used books at the local bookstore that sells products to members of The Church of Jesus Christ of Latter-day Saints, I bought it to re-read. When I opened it up and read in the author’s introduction that she is a descendant of Germans who lived for a century in Russia before immigrating to the United States, I felt an instant connection to her since I, too, am a descendant of the same group of people, although my ancestors settled in Kansas, not Idaho, and I didn’t grow up with a connection to the German community (aside from my mother’s stories) in Topeka the way the author did in Rupert, Idaho. I didn’t, in fact, know enough about my own family history at the time I originally read Fireweed to see the connection, but I’m so delighted to see it now!

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Cottonwood Summer and Feathers and Rings

Cottonwood Summer, by Jean Z. Liebenthal (Christian fiction, Latter-day Saint)

“When Nola and Beverly are forbidden to participate in the lake excursion, they can’t guess that their selected alternative will provide the biggest adventure in their young lives. Nothing less than a reform school escapee, in fact!”

Feathers and Rings, by Jean Z. Liebenthal (Christian fiction, Latter-day Saint)

“Nola is in love with Kent—but he hardly seems to notice her. Although she manages to have an occasional good time at the Saturday-night dances with her longtime neighbor Norman, Nola fears she may become an ‘old maid.'”


As I embarked on this project to comment on novels that give me a glimpse of Zion, I felt that, despite my love for the classics, this would be an unbalanced presentation if I neglected the fiction written by members of my own religion. I thought I would re-read a few of the books in this category that I actually own. Several years ago I gave quite a few Latter-day Saint novels away, needing the shelf space and knowing I wouldn’t re-read those particular works. For that reason, the books I own are ones I like a lot and have probably already re-read at least once.

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Reading the Classics for Fun

I’ve just uploaded updates for two important files on my web site. The first, “Wholesome Literature—A Realistic Choice,” is a rewrite of the essay previously entitled “Wholesome Literature—the Intelligent Choice” for a general religious audience. The original essay began as a literary spotlight to a group of women in my church almost twenty years ago. Of all my literary essays, it was the one with the most potential for revision to a more general audience. After several attempts over the past decade  to make that revision, I finally produced something that satisfies me!

The second document I updated was “My Favorite Clean Fiction.” I now provide a link for each author who has books in the public domain to his or her list of free ebooks on Project Gutenberg‘s web site. I also simplified my list and added descriptions for almost all of the titles.

As I collected descriptions, I couldn’t help but notice how many of them weren’t written to draw a popular audience, particularly those describing the classics. That seems a shame to me, because so many of the classics really are great stories. If the descriptions were written to capitalize more on the story and less on the meaning, the books might find a wider audience. For example, here’s a boring description of The House of the Seven Gables by Nathaniel Hawthorne:

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The Devil’s Disciple

The Devil’s Disciple, by George Bernard Shaw (Irish classic, play)

“Set in Colonial America during the Revolutionary era, the play tells the story of Richard Dudgeon, a local outcast and self-proclaimed ‘Devil’s disciple’. In a twist characteristic of Shaw’s love of paradox, Dudgeon sacrifices himself in a Christ-like gesture despite his professed Infernal allegiance.”


Book cover of The Devil's Disciple, by George Bernard Shaw
The Devil’s Disciple

The above description sounds serious, but the play itself is quite satirical. While Dudgeon is certainly a Christ figure, he is an unlikely and irreverent one, although he fills this role in a way I don’t find offensive. I love satire, however, so if you don’t, you might come away from this play with a different opinion. The mix-up of identities that leads to Dudgeon going to the gallows will inevitably remind readers of the switch that occurs between Charles Darnay and Sydney Carton in A Tale of Two Cities, by Charles Dickens. One of the primary differences between Carton and Dudgeon, however, is that Carton acts on feelings of sincere love, and Dudgeon sets out to sacrifice himself for entirely different reasons:

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The Idiot and Daystar

The Idiot, by Fyodor Dostoevsky (Russian classic)

“. . . a saintly man, Prince Myshkin, is thrust into the heart of a society more concerned with wealth, power and sexual conquest than with the ideals of Christianity. Myshkin soon finds himself at the center of a violent love triangle in which a notorious woman and a beautiful young girl become rivals for his affections.”

Daystar, by Kathy Tyers (Christian fiction, Evangelical)

After fleeing to their sanctuary world for safety with other telepathic Sentinels, members of the Caldwell family must decide whether to accept or reject the claim of a previously unknown family member that he is Boh-Dabar, the prophesied Messiah.


Okay, I know what you’re thinking—that only a person with a very strange brain would talk about a Russian classic and a Christian science fiction novel in the same breath. Despite the obvious differences between these two books, they are based on the same premise: What would happen if Jesus Christ came to live among a particular group of people? How would He act? How would people react to Him? What would He require of those people individually and as a community?

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The Virginian

The Virginian: A Horseman of the Plains, by Owen Wister (American classic)

“Still as exciting and meaningful as when it was written in 1902, Owen Wister’s epic tale of one man’s journey into the untamed territory of Wyoming, where he is caught between his love for a woman and his quest for justice, has exemplified one of the most significant and enduring themes in all of American culture. With remarkable character depth and vivid descriptive passages, The Virginian stands not only as the first great novel of American Western literature, but as a testament to the eternal struggle between good and evil in humanity, and a revealing study of the forces that guide the combatants on both sides.”


100th Anniversary Edition book cover of The Virginian, by Owen Wister
The Virginian

This is one of those novels that has everything—cowboy card games, coarseness, and pranks without much in the way of foul language; action, adventure, and a climactic shoot-out without any gore; and romance, passion, and an incredibly intimate honeymoon scene without any mention of sex. One of the most important events in the book, in fact, is a hanging that happens off-stage. By modern literary standards, this story ought to fall apart. As a proponent of wholesome fiction, I am delighted to tell you that it works! And, by the way, don’t scroll to the end of the novel to read that incredibly intimate honeymoon scene to see what I mean, because that won’t work. (Okay, so I know you’re going to do it anyway, but seriously, you’re going to be disappointed!) The way Owen Wister accomplishes the seemingly impossible is by building a complex vision of the protagonist phrase by phrase, scene by scene. A reader needs the context of the entire book to appreciate that final honeymoon scene.

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What About Doctrinal Differences?

As I begin this quest to capture and share glimpses of Zion from the fiction I read, a few of you may wonder whether you should read some of these books that may promote religious or social ideas you don’t agree with. A few of you may be troubled by the fact that I’m recommending books that don’t agree on many points with the tenets of my own church, which, in the effort of full disclosure, is The Church of Jesus Christ of Latter-day Saints. Some of you may think that I’m glossing over the very real doctrinal differences between religions to present a view of life that has no basis in reality. Some of you may be looking for tools to help you better evaluate the religious content you encounter in your own reading. For all of these reasons, I want to address the issue of doctrinal differences up front and get it out of the way.

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Faust and Adam Bede

Faust, Part 1, by Johann Wolfgang von Goethe (German classic)

“The story concerns the fate of Faust in his quest for the true essence of life. . . . Frustrated with learning and the limits to his knowledge, power, and enjoyment of life, he attracts the attention of the Devil (represented by Mephistopheles), who makes a bet with Faust that he will be able to satisfy him; a notion that Faust is incredibly reluctant towards, as he believes this happy zenith will never come. . . . In the first part, Mephistopheles leads Faust through experiences that culminate in a lustful relationship with Gretchen, an innocent young woman.”

Adam Bede, by George Eliot (English Classic)

“The story of a beautiful country girl’s seduction by the local squire and its bitter, tragic sequel is an old and familiar one which George Eliot invests with peculiar and haunting power.”


Black and white cover for Faust, by Johann Wolfgang von Goethe, with illustrations by Harry Clarke, translated by Bayard Taylor
Faust

I suggested the play Faust for my book group because I had seen so many references to it in other literature and understood it to be one of the greatest pieces of literature written in German. I couldn’t remember reading any German literature with the group, which made it a book that would require us to stretch a little. Actually, it made us stretch a lot. I was the only one who had finished the first part on the evening of the review. (Since I was leading the discussion, I was motivated!) I was only able to get through it by relying heavily on a commentary. Because Faust is a play, a considerable bit of action simply isn’t in the text, and for that reason, I do suggest consulting a commentary if you are reading it for the first time and not taking a class.

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Glimpse of Zion

What is Zion? This term has several meanings, but the one that applies best to the focus of Novaun Novels is this one: “A place or a religious community regarded as sacredly devoted to God; a city of God” (The American Heritage Dictionary, 1979). This quotation by Saint Augustine expands the idea of a city sacredly devoted to God:

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