Author: Katherine Padilla (Page 6 of 8)

101 Famous Poems

Book cover for 101 Famous Poems, edited by Roy J. Cook
101 Famous Poems

101 Famous Poems, edited by Roy J. Cook. First edition published in 1916.

“Poetry has the power to give us strength, inspiration, and hope, helping us to make meaning from our hectic lives and giving us the opportunity to appreciate new ways of thinking about universal themes and observations.

“Whether you are a newcomer to poetry or a lifelong lover of verse, you will find within the pages of this indispensable compilation the greatest poems of all time, powerful words that have delighted and inspired generations of readers—words that are sure to inspire you today.”


I will be the first to admit that I’m a “newcomer to poetry.” I’ve never disliked poetry, but I’ve also never had much patience with it. I like a terrific story, and that narrative drive is what keeps me reading. As I grow older, however, I’m gaining a greater appreciation for the way poetry can make beautiful language heavenly. The leader of the book club I belong to, on the other hand, loves poetry and has been working to help the rest of us gain a greater appreciation for it. She recommended this book for the group, and I’m glad she did! I started from the beginning, reading a few poems at a time. I’m glad I took this particular approach, because it enabled me to get a much more comprehensive view of a bygone world described by a variety of poets from different time periods. All of these poets are dead, and the world they wrote about is gone—history to us now—but to them the joys and sorrows they wrote about were real.

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Kenilworth

Book cover for Kenilworth, by Sir Walter Scott
Kenilworth

Kenilworth, by Sir Walter Scott (Scottish classic)

“In the court of Elizabeth I, Robert Dudley, Earl of Leicester, is favoured above all the noblemen of England. It is rumoured that the Queen may chose him for her husband, but Leicester has secretly married the beautiful Amy Robsart. Fearing ruin if this were known, he keeps his lovely young wife a virtual prisoner in an old country house. Meanwhile Leicester’s manservant Varney has sinister designs on Amy, and enlists an alchemist to help him further his evil ambitions. Brilliantly recreating the splendour and pageantry of Elizabethan England, with Shakespeare, Walter Ralegh and Elizabeth herself among its characters, Kenilworth (1821) is a compelling depiction of intrigue, power struggles and superstition in a bygone age.”


The tension between possessing a title of nobility and being noble in mind and heart lies at the center of Kenilworth. From the beginning of the novel, Scott portrays the former suitor of Amy Robsart, the gentleman Tressilian, as possessing nobility of mind and heart. We first meet Tressilian at an inn, where he is seeking information about the whereabouts of Amy on behalf of her father. His features have a “meditative and tranquil cast,” and he is  “dressed with plainness and decency, yet bearing an air of ease which almost amounted to dignity, and which seemed to infer that his habit was rather beneath his rank.” While he is at the inn, the proprietor makes this observation about Tressilian to his nephew Michael Lambourne, who ends up in the employ of the story’s villain, Richard Varney:

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The Return of the King

The Return of the King, by J.R.R. Tolkien (fantasy)

“The Companions of the Ring have become involved in separate adventures as the quest continues. Aragorn, revealed as the hidden heir of the ancient Kings of the West, joined with the Riders of Rohan against the forces of Isengard, and took part in the desperate victory of the Hornburg. Merry and Pippin, captured by Orcs, escaped into Fangorn Forest and there encountered the Ents. Gandalf returned, miraculously, and defeated the evil wizard, Saruman.

“Meanwhile, Sam and Frodo progressed towards Mordor to destroy the Ring, accompanied by Smeagol—Gollum, still obsessed by his ‘precious’. After a battle with the giant spider, Shelob, Sam left his master for dead; but Frodo is still alive—in the hands of the Orcs. And all the time the armies of the Dark Lord are massing.”


Book cover of The Return of the King, by J.R.R. Tolkien
The Return of the King

As the armies of the Dark Lord amass, Denethor, the Lord and Steward of Minas Tirith, sends his son Faramir on a hopeless mission to fortify the garrison on the river, where the first assault will fall. Faramir and his men are forced to retreat. While doing so, Faramir is shot with a poisonous dart and is carried, unconscious, to his father. At this point, Minas Tirith is besieged and surrounded by enemies. Denethor sits with his almost-dead son, so consumed by grief, guilt, and despair that he no longer cares about defending the city. When Denethor commands his servants to burn Faramir and him alive on a funeral pyre, the hobbit Pippin realizes that Denethor’s mind is overthrown before the city is overrun and goes for help.

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The Two Towers

The Two Towers, by J.R.R. Tolkien (fantasy)

“Frodo and his Companions of the Ring have been beset by danger during their quest to prevent the Ruling Ring from falling into the hands of the Dark Lord by destroying it in the Cracks of Doom. They have lost the wizard, Gandalf, in a battle in the Mines of Moria. And Boromir, seduced by the power of the Ring, tried to seize it by force. While Frodo and Sam made their escape, the rest of the company was attacked by Orcs.

“Now they continue the journey alone down the great River Anduin—alone, that is, save for the mysterious creeping figure that follows wherever they go.”


The Two Towers begins with the death of Boromir and the capture of Merry and Pippin, two hobbits who are the kinsmen of Frodo. The remaining members of the fellowship—Aragorn a Man, Legolas an Elf, and Gimli a Dwarf—set off across the plains of the country Rohan—also known as the Riddermark—in pursuit of the Orcs who captured Merry and Pippin. Several days into their journey, they encounter Éomer, the nephew of the king, and the men of his household, who have been in pursuit of the Orcs on horseback. Aragorn declares his kingly lineage, shows his famous sword, and explains that he is searching for “Halflings,” which are creatures of legend to the Men of Rohan. Éomer responds with this observation:

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The Fellowship of the Ring

The Fellowship of the Ring, by J.R.R. Tolkien (fantasy)

“In ancient times the Rings of Power were crafted by the Elven-smiths, and Sauron, the Dark Lord, forged the One Ring, filling it with his own power so that he could rule all others. But the One Ring was taken from him, and though he sought it throughout Middle-earth, it remained lost to him. After many ages it fell into the hands of Bilbo Baggins, as told in The Hobbit.

“In a sleepy village in the Shire, young Frodo Baggins finds himself faced with an immense task, as his elderly cousin Bilbo entrusts the Ring to his care. Frodo must leave his home and make a perilous journey across Middle-earth to the Cracks of Doom, there to destroy the Ring and foil the Dark Lord in his evil purpose.”


We are told in the beginning of The Fellowship of the Ring that Saruman the White is the most powerful of the wizards in Middle-earth and trusted by wizards and Elves as a wise, formidable enemy to Sauron, the Dark Lord. When Gandalf the Grey goes to Saruman for help, he learns that Saruman is no longer working to destroy Sauron but to supplant him and has, therefore, become a traitor.

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Phantastes

Book cover of Phantastes, by George MacDonald
Phantastes

Phantastes, by George MacDonald (classic fantasy)

“First published in London in 1858, this adult fantasy novel follows Anodos, a man who searches for his ideal of female beauty in a dream-like world. Anodos has many adventures and faces many temptations in this fairyland, from tree spirit confrontations to a long trek to the palace of the fairy queen, where he eventually meets the Marble Lady. MacDonald would later astonish and influence writers such as C. S. Lewis, J. R. R. Tolkien, and W. H. Auden, who saw in this work the successful embodiment of the depth and meaning of our inner, spiritual world. The poignancy of ‘Phantastes’ lies in its representation of a spiritual quest, one in which ideals are compromised, and the ultimate surrender of the self brings both overflowing joy and profound sadness.”


The women in my book group wanted to try something written by George MacDonald, so I recommended “The Light Princess,” thinking they would like that one better than Lilith, which is quite strange in a way I wasn’t sure the other members of the group would appreciate. After I re-read “The Light Princess,” I decided to try Phantastes. Phantastes isn’t a long novel, but it took me several weeks to get through it. Part of that was because the plot structure was episodic, lacking a strong narrative drive, but more than anything, George MacDonald simply isn’t a writer one can read fast. His work, like poetry, demands to be savored.

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The Mansion and The Story of the Other Wise Man

Book cover for The Mansion, by Henry Van Dyke
The Mansion

The Mansion,” by Henry Van Dyke (American classic, story)

“John Weightman wanted the best of everything. He surrounded himself with beauty and riches, and was very careful with how he spent his money. ‘No pennies in beggars’ hats,’ he liked to say. Until one night he dreamed that he died . . .

“Finding himself with a group of travelers dressed in white, John joins them on their journey to the Celestial City where each individual will be rewarded with a mansion based on treasures set aside. Thinking that his mansion will be the most grand, John Weightman learns what it truly means to lay up treasures in heaven.”

The Story of the Other Wise Man,” by Henry Van Dyke (American classic, story)

“Long, long ago, a wise man named Artaban, a priest of the Magi, discerned from heavenly signs that the time was at hand for the fulfillment of an ancient prophecy—the birth among the Hebrews of a holy Prince and Deliverer of Man. Hastening to join three fellow Magi for the long journey into Judaea, he paused to help a dying man and was left behind. And so Artaban began his pilgrimage alone, striking out not toward the realization of his life’s deepest longing, as he hoped, but only toward misfortune and suffering. Or so he believed until one blessed, radiant moment.”


These two classic Christmas stories illuminate the human progression from goodness to righteousness to holiness.

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Classic Culture

Your Refined Heavenly Home,” by Douglas L. Callister (Devotional speech at Brigham Young University, September 19, 2006)

I don’t expect to comment often on speeches, but I feel compelled to write about this one since it so eloquently addresses the culture of heaven and gives ideas for how we can bring that more into our lives, a critical topic if we are serious about becoming a Zion people. This speech was given by a leader of my church to students attending the Church-owned Brigham Young University. He introduces his topic with these words:

The nearer we get to God, the more easily our spirits are touched by refined and beautiful things. If we could part the veil and observe our heavenly home, we would be impressed with the cultivated minds and hearts of those who so happily live there. I imagine that our heavenly parents are exquisitely refined. In this great gospel of emulation, one of the purposes of our earthly probation is to become like them in every conceivable way so that we may be comfortable in the presence of heavenly parentage and, in the language of Enos, see their faces “with pleasure.” . . .

Today I would like to peek behind the veil that temporarily separates us from our heavenly home and paint a word picture of the virtuous, lovely, and refined circumstances that exist there. I will speak of the language, literature, music, and art of heaven, as well as the immaculate appearance of heavenly beings, for I believe that in heaven we will find each of these in pure and perfected form.

He goes on to encourage the students to pursue the best literature, music, and art the world has to offer.

CD cover, Helene Grimaud plays Rachmaninov
H. Grimaud plays Rachmaninov

I’ll have to say, if I had heard this speech when I was in college, I would have received it with mixed feelings. On one hand, I had been taught a bit of art history in high school and had enjoyed looking at the slides of classic art. On the other hand, my high school art teacher liked to listen to classical violin music, which sounded like screeching to me. I took a humanities class my first semester in college and failed the opera unit. I hated the highly trained voices so much that I had trouble concentrating on the music. Instead of focusing on the melodies, I memorized the peculiarities of the voices. Imagine my dismay when the professor played instrumental versions for the test! Despite my distaste for opera at that time, I heard Rachmaninov’s Piano Concerto No. 2 for the first time in that class and loved it, which gave me the motivation to seek out more classical music.

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The Secret Garden and The House of the Seven Gables

The Secret Garden, by Frances Hodgson Burnett (Children’s classic)

“Born in India, the unattractive and willful Mary Lennox has remained in the care of servants for as long as she can remember. But the girl’s life changes when her mother and father die and she travels to Yorkshire to live with her uncle. Dark, dreary Misselthwaite Manor seems full of mysteries, including a very special garden, locked tight for 10 years. With the help of Dickon, a local boy, Mary intends to uncover its secrets.”

The House of the Seven Gables, by Nathaniel Hawthorne (American classic)

“Built over an unquiet grave, the House of the Seven Gables carries a dying man’s curse that blights the lives of its residents for over two centuries. Now Judge Jaffrey Pyncheon, an iron-hearted hypocrite and intellectual heir to the mansion’s unscrupulous founder, is attempting to railroad a pair of his elderly relatives out of the house. Only two young people stand in his way–a visiting country cousin and an enigmatic boarder skilled in mesmerism.”


As soon as I learned that The Secret Garden would be on my book group‘s schedule for 2015, I thought it would be nice to re-read The House of the Seven Gables also and comment on both novels. On the surface, these books appear quite different, but I knew they were similar in at least one respect—both stories show gardening as being an activity that nourishes both the body and spirit. By the time I was finished reading the books, I realized that they are even more similar than I had remembered; they both address the healing of emotionally diseased individuals and families in old manor houses that symbolically take on the sickly qualities of the families that inhabit them. One of the characters in The House of the Seven Gables describes this relationship between the families and their generational homes:

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